Floor notes for printers, converters and finishers.

A practical map of bright, antique and soft-touch gold grades for SA presses.
Read →
Opaque colour when metallics would fight the brand palette.
Read →
How medium vs easy release changes edge quality on coated board.
Read →
Why a 10°C miss can dull a gold that looked perfect on the sample.
Read →
Grades that bite clean without tearing the soft layer.
Read →
Roll widths, tension and step-and-repeat habits that keep seals sharp.
Read →
Lower heat, softer release, and dies that do not crush grain.
Read →
When diffraction helps security or youth brands, and when it distracts.
Read →
Trade proofing and batch notes for brand-critical opaques.
Read →
Humidity, upright rolls and why foil hates a hot bakkie for a week.
Read →
Relief height, make-ready and cleaning habits before the first sheet.
Read →
Honest talk on carriers, scrap and what converters can control.
Read →
What West African and EU buyers keep asking SA converters for.
Read →
A short syllabus we use when a new platen arrives on the floor.
Read →
Ink stack, varnish and corona issues that look like bad foil.
Read →
Design choices that keep costs sane without looking sparse.
Read →
Spec sheets that stop endless PDF ping-pong.
Read →
Muted metallics, security cues and pigment colour still leading briefs.
Read →From the desk
Durban humidity and Highveld winter air treat the same holographic lot differently. Note storage side for every carton that leaves the counter so the converter matches the signed sample, not the roll that sat in a bakkie. If your dieline puts foil across a score, tell us before we cut. A narrow break can look intentional in a mockup and accidental on shelf.
Write heat windows in plain language for the crew on shift. If a grade wants a narrow band, that note sits on the outer carton where someone will actually see it. Return unused foil in the original wrap. Open cartons pick up dust that reads as pinholes once you are under a loupe with a brand manager nearby.
Sample cards should travel with the job bag, not live only in a sales WhatsApp. Date them. When something feels off on press, you want a physical anchor. Train a second operator on the tricky nest. Leave cover should not equal tribal knowledge loss.
When a carton brief lands with a tight foil panel next to heavy coverage ink, ask for the make-ready sheet first. Registration drift on older platens shows up as a bright edge that no amount of cleanup will hide on the finished blank. Operators usually prefer a slightly cooler dwell on soft-touch stocks, then a second pass only if coverage still looks hungry.
Mail foil@stampingfoil.co.za with photos and constraints if you want a same-week reading of your brief.